The project unfolds as a series of episodic research into geocinema through experiments in moving image, narration and collective thinking. Each probes into ways of understanding and sensing the earth while being on the ground, enmeshed within vastly distributed processes of image and meaning making.
The project traces the physical infrastructures and abstracted processes which make up the supply chains of perception, attentive to the situated histories of sensing techniques which frame movements of the cosmos, atmospheres, oceans, and surveil flows of bodies and their congregations, in order to unstitch and restitch given narratives about earths.